Scene 67-B, Shot J, Take 4, Roll #118

Here I am doing a take of the master shot for a scene using a 400mm lens down a very long and dark hallway.

The going-ons of the camera department…
(It’s best if you watch this fullscreen, and it’s extremely boring if you don’t have annotations turned on.)
Marks 1 & 3 are just a few degrees apart.

T’was another weekend of shooting Scream All You Want, the indie horror/drama webseries-shot-as-a-feature film that I’m the Director Of Photography of. I put my iPhone on the little table my laptop was on and this is the up-my-nose video you get. Shooting my own behind-the-scenes while shooting the movie – a whole new level of meta?

I digress.

The action is: an actor walks about 100′ towards the camera, with a bit of action a third of the way through.

All the marks.
(Click for detailed notes.)

if you watch the top left corner, you see my left hand turning the follow focus wheel; slowly at first, but as she approaches the camera I need to accelerate considerably. The director (Tom) is quietly calling out the marks we’ve taped on the floor – which I’ve also marked on the ring (you see them disappearing as I turn the wheel) so I can watch the position of the wheel instead of the talent or the monitor.

In this take, I blew it. Then to top it off, the Canon EOS Utility on my laptop crashed when I went to reset for the next take.

Also, due to equipment availability (or rather, a lack thereof) we didn’t have a proper monitor, so it’s either the tiny screen on the back of the 5D Mk II, or the USB tethered laptop display running at 4FPS at VGA resolution – a lose-lose proposition.

The obRIGatory setup pic.
Obligatory rig pic.

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